Either/Or : Part 1 Kierkegaard's Writings by Edna H. Hong, Howard V. Hong, Soren Kierkegaard

Either/Or : Part 1 Kierkegaard's Writings



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Either/Or : Part 1 Kierkegaard's Writings Edna H. Hong, Howard V. Hong, Soren Kierkegaard ebook
Format: pdf
Publisher: Princeton University Press
ISBN: 0691020419, 9780691020419
Page: 728


Kierkegaard did most of his seminal writing under assumed names: Victor Eremita (“Either/Or”); Johannes de Silentio (“Fear and Trembling”); Anti-Climacus (“The Sickness Unto Death”); Hilarious Bookbinder (“Stages on Life's Way”); When I was learning Danish, I tried to read him in the original, but he is one of those rare stylists whose thought and diction are so unpredictable and rife with paradox that you can never guess a word that you don't know from its context. The raw source material for this plotline is found in Kierkegaard's books “Either/Or,” “Fear and Trembling,” and “Repetition,” in which he takes on the persona of various first-person narrators, and describes their experiences. Kierkegaard conceived of life as going through three stages: the aesthetic, the ethical and the religious. And the mildest suggestion, it seems to me, is that we at least put up with its being said, without thereby judging anyone, but directing every individual, including me, to grace and indulgence.1. (I think I've read the ones on Habermas and I took a course in Kierkegaard a few years ago and our readings were Fear and Trembling, Either/Or, Philosophical Fragments, and a few generous helpings from the Concluding Unscientific Postscript. I'm having an argument with a misguided friend (he's wrong, obviously) about how many of the so-called great philosophical books people have actually read. Notice that Kierkegaard's assessment of the religious To amplify this point, the last section of this chapter highlights Kierkegaard's assessment of the Pietist retrieval of Socrates in relation to the works of Hamann and Zinzendorf. Kierkegaard complained that: "What I really lack is to be clear in my mind, what I am to do, not what I am to knowthe thing is to find a truth which is true for me, to find the idea for which I can live and die." either/or In one of his major works Either/Or, Kierkegaard suggests two approaches on how we can choose to live life - the 'aesthetic', which is hedonistic in character and emphasizes immediate gratification and the 'ethical', which, in contrast, is built on duty and obligation. Moore Being and Time, Martin Heidegger Tractatus, Wittgenstein . The religious mode of life is presented in Fear and Trembling textbook of many an angsty-yet-surprisingly-intellectual teenager (Kierkegaard was, in fact, the first person to talk about existential angst, and I find that in many ways it is illuminating to think of . The Principles of Morals and Legislation, Jeremy Bentham – part. I haven't read Kierkegaard and can't vouch for this particular book, but I have found these "Very Short Introduction" books useful when getting into a new area or author. I found this site on accident by looking up harold and maude…it was really cool to see kierkegaard and camus applied to relavent movies…keep up the good work…but i don't believe in god…life is despair. Kierkegaard's insights are part of the same life as his social and emotional difficulties. Either/Or : Part 1 Kierkegaard's Writings book download Edna H. €�The Heterosexual Imagination and Aesthetic Existence in Kierkegaard's Either/Or, Part One.” International Kierkegaard Commentary Either/Or Part I. Works for its message to be understood. Kierkegaard's early works - and Either/Or, Fear and Trembling and Stages on Life's Way were all written under pseudonyms. Hong, Soren Kierkegaard Download Either/Or : Part 1 Kierkegaard's Writings What sort of philosophy were you reading then? I think most Either/Or, Soren Kierkegaard Method of Ethics, Sidgwick Thus Spoke Zarathustra, Nietzsche Communist Manifesto, Karl Marx Principia Ethica, G. Presented here in a new translation, with a historical introduction by the translators, Fear and Trembling and Repetition are the most poetic and personal of Søren Kierkegaard's pseudonymous writings.

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